Catching up: Neverwinter, WoW Raiding, Diablo

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“I got eaten by a gelatinous cube!!!” she said, “This is the best day of my life!”

I feel late to the party so going to link to a few other people’s experiences with the Neverwinter open beta. I haven’t really seen any bad reviews, it’s a solid game and if you like that sort of thing, it’s F2P so you can go try it. For me I get strong vibes of a mixture of Diablo and standard hotbar MMO play, and it mostly works. Also my character has a really cool devil tail that waves around.

  • Dusty Monk – “… when you first log on, you’ll be presented with a Home Page of the various kinds of content available and how to get to them.   And for most of that content, a robust LFG queuing tool is available, and works really well.  So whether for skirmishes, dungeons, or PvP matches, you can queue up, and typically within less than 20 minutes or so, be whisked away to the instance of your choice.”
  • Tipa at West Karana – “I play the game, I like the game, but I don’t know why. Game just _confuses_ me.”
  • The Jester, a blogger at wizards.com (blogging for a pen and paper audience) – “The static world reflects a style of MMO design on the way out. It’s very much a third-generation MMO despite every MMO in the last three or four years trying to become an early fourth-generation MMO. There’s not a whole lot of innovation. Excluding the Foundry, it’s an unremarkable game I would have not looked twice at had it not been using the D&D licence (and even then, only because it’s free). There’s also only enough official content for a single playthrough.”

Like many of the other bloggers I follow, I’m finding a lot more fun in the game than I had expected. It is, as The Jester says, a very static world design but I don’t entirely agree with him about the third-generation MMO. Cryptic have been looking at more recent developments in other games, so Neverwinter features companion NPCs and crafting based on facebook style games/ SWTOR, LFG queues for all the group content in the game, a web interface where you can check your crafting/ auctions/ etc., and a more active combat style than typical MMOs. I find the dodging works better here than in GW2, for example. The game does default to mouse look, and binds your two main attacks to the mouse buttons for that classic Diablo feel. This didn’t annoy me as much as I was expecting although it feels awkward when you want to drop out of mouse look mode so that  you can click on some other part of your screen. All in all, it feels like a modern take on an oldschool genre, which is pretty appropriate for a game based on Dungeons and Dragons.

And Arb and I do get a kick from the oldschool D&D references that are studded through the game, especially when we remember the monsters showing up in tabletop games that we ran as teenagers.  The gelatinous cube shown above was an old GMing favourite, as were the illusory walls that have featured in other dungeons in the game. Fortunately this particular cube was not immune to cold and lightning damage, given that my wizard has a lot of ice spells. And that shows up one of the downsides of Neverwinter – it’s not actually as tactically interesting as a D&D game probably should be. Monsters are supposed to have strengths and vulnerabilities, but that doesn’t really work with this type of MMO where players don’t want to be told “You should really bring someone with fire spells if you are going to fight gelatinous cubes.”

It’s a dilemma. In any case, we’re having fun with the game at the moment. I don’t know if it really has long lasting stickability but Cryptic have played to their strengths by including The Foundry for player generated scenarios and that is something I am curious to try out.

Raiding in the Throne of Thunder

Kadomi has written a much more colourful description of our raiding progress over at her blog (I love being in a guild with other bloggers, I can just link to what they wrote and say “just read this.”)

Short form: We got council down last week in normal mode for the first time. So we’re making slow but steady progress through the raid. I have had more fun raiding in MoP than in any aspect of WoW since Wrath, although the encounters are sometimes overtuned in normal, they’re pretty well designed. I don’t know what other people consider good encounter design but for me, I don’t mind a complex boss fight that takes us a long time to learn as long as we can feel we are learning on every pull.

Encounters like Elegon and Council have been incredibly rewarding fights for our guild to master, I think. So I don’t much care that we’re not on heroic modes, the raids we are doing are at a really good difficulty for us I think. But I’m pretty tolerant of slow progression if the company is good and fun is being had.

At the same time, LFR being available helps a lot with keeping the general good mood in a casual raid guild. I think back to Burning Crusade and just how darned important it felt to be in progression raids because it was the only way you could be in with a shot at the gear you’d need to be included in the next progression raid. Now you can keep up reasonably well with gear levels by running LFR and collecting rep gear so it’s not the end of the world if you miss a week or two. Plus if we don’t have enough people on a raid night, we can take a guild group to LFR and still have the opportunity to hang out together.

As anyone who has been reading gaming news recently will know, WoW posted a drop in accounts over the last quarter. This can’t be surprising given general trends in the genre and doesn’t really reflect on MoP – anyone who quit because there were too many dailies probably wasn’t going to be in it for the long run anyway.

Diablo III

Since the new patch, I have been tentatively trying out my old Barbarian in Inferno level and … this is probably not surprising but now that several nerfs have been applied to the mobs and buffs to the characters, I am quite enjoying it. The original difficulty just wasn’t fun for me, this is.

I have enjoyed all the Diablo-esque games that I have played recently, Torchlight 2 is a lot of fun also, but Diablo 3 does have some very moreish design factors to it. I love silly things like the increasingly outlandish types of arms and armour you pick up (what is a Schynbald? Heck if I know!), which brings me back to original Dungeons and Dragons with it’s lovingly illustrated pages of exotic polearms.

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The great Diablo 3 economy meltdown

Funnily enough, I’d been getting back into Diablo 3 recently so I was aware of the new patch that hit this week. One of the new features was that Blizzard raised the limit for maximum gold sold on the auction house from 1m to 10m gold.

And then … some players discovered a buffer overflow due to these changes that led to some easily replicated gold dupe mechanics. Very soon after this, some accounts amassed ridiculously huge amounts of gold, even by D3 standards. Blizzard disabled the US AH last night and deployed a hotfix earlier today.

But they’re reluctant to roll back the servers. Presumably lots of players returned to try out the new patch and Blizzard are aware of the effect of taking away any cool RNG drops that they picked up while playing on player morale. Instead they’re trying to identify offending accounts and doing selective bans.

It’s probably too late though, once that amount of gold flooded into the AH economy, legitimate players started selling drops/ gems for hugely inflated prices so the money has been distributed.

Here’s the lowdown from reddit, and the Blizzard official response.

It’s at times like these that it pays to be on EU servers that update after the US ones, our patch had the hotfix included.

Sang-Froid–Tales of Werewolves

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Sang-Froid is a game I picked up from Steam this week, on the recommendation of a friend. It may be the most Canadian game ever written (sorry Bioware), and tells the story folktale-style of  two brothers who have to save their sick sister from a variety of baddies including wolves, werewolves, demons and The Devil.

But that’s not why I have been glued to it for the last couple of days. The game itself is a riff on Tower Defence, but after setting up your various traps around the brothers’ cabin in the woods, the game switches to third person as you head out into the werewolf-ridden night with your trusty axe and rifle to bag yourself a few baddies. And of course, you get to interact with the traps you so carefully laid earlier, luring wolves under the hang trap or into the wolf traps, lighting your bonfires and hoping to grab the odd headshot with your (very slow and awkward to load) rifle.

I feel as though I have barely touched the tip of the iceberg. There are items you can find to help, and abilities you can learn as you level as well as new traps.

So if this sounds like your kind of thing, I recommend taking a look.

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Catching up: Kickstarters

I don’t know about any of you but I’m getting to a place with gaming kickstarters which is much closer to how I buy regular published games. I read the kickstarter, think “Sounds cool” and then “I’ll wait till it’s released and then pick up a copy if it’s any good.”

To get me to contribute these days, I’d need more emotional attachment to the project than just “Oh neat.” It would either have to sound like something I really want to play, involve a creator of whom I am a fan, or support a cause I care about. Maybe the sheen has just gone. Creators are finding new ways to use kickstarters – sometimes to raise awareness or for publicity more than for the kickstarter cash itself. This wasn’t really the original idea, but that doesn’t mean it’s terrible.

It’s just that in the grim dark future, instead of applying for a beta or preordering (or prepaying) to get your beta spot, it’ll only be open to people who paid more than $X in the kickstarter.  But the equating of “how much cash are you willing to put up” as a measure of your dedication as a fan is a trend that is only going to increase. It is also inherent in the F2P mindset. That’s more of a topic for a future post. For now, lets just say that fan enthusiasm is a commodity to be monetised. Fun times.

Anyhow, there have been a few large gaming kickstarters in the mix lately. Terra Silverspar sees this as a sign that kickstarter is going to be a bad thing for gaming in the longterm.

Many of big name developers using Kickstarter are furthest from strapped for cash to be able to produce the titles they are looking to produce, but they threw out these rather large figures at what they feel would need to be to create these games, some of them with not even a demo or name of the product to be seen, and even threw out shameless incentives to get people to pay more.

((…))

All they have to say is remember my one good game and they know their fans will jump on it, especially if said big name makes large promises that claim their in development product you’ve never seen will be like one of their famous games of the past.

This isn’t fundamentally different from the way hype works anyway. “New game X will be like old game Y that you really liked” is a fairly basic argument, especially if it’s backed up by having some of the same team involved. You pays your money and takes your chances.

However, phrases like “harkening back to his innovative early work,” “the team will revisit X’s design roots”, “this game is counter-revolutionary” et al lean towards a current view of kickstarter where it is getting used to support revolutionary (or not)  little indie games and old school (ie. not revolutionary) larger games. Except that the indie games struggle more with publicity than a big name celeb game designer.

Anyhow, I’m going to scan over some of the projects that I have either backed or been following.

Shroud of the Avatar (Lord British)

I know Arb is fond of this one, for sentimental reasons. This successful kickstarter has been controversial because Lord British (yeah I know, his real name is Richard Garriot) is wealthy enough in his own right that punters wonder why he can’t pitch a game to publishers without needing $1m of funding from the public first. Also controversial as the man is a dab hand at giving controversial interviews. Or in other words, he gives good media.

On the other hand, he is proposing making an open world RPG of the type he became famous for with the Ultima series. Shroud of the Avatar is a direct callback to Ultima, as your character was called “the avatar” in many of those games, although for legal reasons it won’t be using any of the Ultima IP (last seen being cast onto iOS via Ultima Forever). It is going to be a PC game. He is calling it a multiplayer game rather than an MMO so there is going to be some overlap with solo play and group play.

So if you liked that sort of game – which Arb and I did very much – it will be one to keep an eye on. I like open world RPGs, and that is what I expect this to be. The kickstarter almost doubled its $1m goal, so let’s see how it goes.

Jane Jensen (Moebius)

This is one of the first kickstarters that I backed, and I liked it because I admire Jane very much as a game writer and have fond memories of the Gabriel Knight games. Her studio has already put out an extra mini graphic adventure aimed at 5-9 year olds – which wasn’t anything I was interested in, but free perks are always nice and if I knew anyone with a kid and an iPad I’d happily give it to them. But the main attraction is Moebius, an adventure game which does not stray far from its Gabriel Knight roots.

RPG didn’t think much of the trailer but as a backer I’m happy, it looks pretty much to be what I would have expected. I look forwards to playing it on release and am happy I was able to support it.

Also she’s been great about monthly updates, free wallpapers, and generally being in touch and available.

Camelot Unchained

As a fan of DaoC (and Warhammer Online) I am always interested to see any project that Mark Jacobs is behind. He spent a few months building up publicity for this kickstarter before it launched, and is currently almost halfway to his $2m goal. It is a large goal, especially for a fairly niche type of game, so this will be an interesting one to watch.

Mark is doing a lot of publicity for this at the moment via interviews. He also has been quite active in the reddit, and I recall he always seemed to quite enjoy interacting on forums et al during DaoC also.

Although I really liked DaoC I am not backing this one, because all PvP all of the time isn’t for me. I do think it was a good idea to limit the scope of the game – PvE content in MMOs is expensive and there is definitely an audience for a smaller PvP focussed game. If it is your thing, feel free to go pledge them some cash as this kickstarter has just under a month to go.

A friend of mine commented that he thought this kickstarter was very jargon heavy and would be hard to follow for anyone who wasn’t into MMOs. I don’t think they are trying to get new players into the genre, the people who want to back this game will know what the jargon means.  I do wonder a bit about how developing their own game engine is going to impact on things. It isn’t that it is a terrible idea, just that having the core of your game as a new untried and untested piece of code adds some risk to the endeavour.

Double Fine

This is the kickstarter which really kicked off the phenomenon for gaming, raising $3m on an initial goal of $400k. The game now has a name (Broken Age), a website, a trailer, and you can preorder. They have also been releasing regular video updates for backers giving some insight into the development process.

I am looking forwards to seeing the game, and I like the concept a lot. The videos have been fun and it feels like a fun, different way to support a game genre that I like and get a cool game at the end.

Torment (Numenera)

This is the Planescape Torment sequel that isn’t set in Planescape. The concept of that confused me enough that I decided not to back it – I did however back Monte Cook’s Numenera pen and paper game so at least I’ll be able to decide if I like the setting before putting any money down for a computer game. (Oh and also I can wait for the game to be released to see if I want to play it.)

Fortunately, Torment isn’t dependent on my backing as the kickstarter raised a whopping $4m off an original goal of $900k. Planescape really was that popular. They’ve recruited Chris Avellone (original Planescape: Torment designer) onto the design team, among other experienced designers, and have already turned out some cool looking screenshots.

I’ll look forwards to seeing what they can do with the money. But I’m perfectly happy to wait until release before deciding if I want it.

Here’s an interview with Brian Fargo where he talks about his experiences with successfully running kickstarters for Torment and Wasteland.

Project Eternity

Another RPG (I have straightforwards tastes in gaming), this time to be developed by Obsidium Entertainment with the help of just under $4m raised via kickstarter off an initial goal of £1.1m. Chris Avellone is going to be busy with both this and Torment, and they’re likely to be quite similar games.

This one I did support, I liked the idea of knowing a bit about the team going into the project at the start. And I want to see what Obsidian can come up with. They have been sending out regular updates, and we’ll just have to see how it goes.

I also like that although they’ve been clear about their influences and what type of game it’s going to be, it doesn’t feel like so much of a namecheck as the Torment game. I will of course play both if they’re any good.

[General Gaming Links] Events, ‘I quit’ posts, TESO, Wildstar, and more

otters

harlequeen @ flickr (Brought to you by otters)

So this is the second links post of the year so far, and unlike the gaming news links of last week, what I’m aiming to do with the regular general links posts is simply to highlight blog posts and articles that have grabbed me. Because I’m aiming to save up a month’s worth of tagged content, some of these blog posts won’t be ultra recent but I like to think the better ones improve with time.  Let’s see how we go!

Omali at MMO Fallout talks about Random Events in Runescape and how he thinks Jagex have evolved them over the years.

Overly Positive is a community mod blog, and in this post Frank discusses how mods deal with “I quit!” posts. Anyone ever written an “I quit” post on a public forum? I know I never have. I generally just quit without a fuss.

Community people are always interested in why people decide to leave a game they represent, which is why all the people who inevitably respond to “I quit” posts with the notion that they should somehow shut up, go away, go back to WoW or whatever else, doesn’t really help us.

Terra Silverspar is cautious about The Elder Scrolls Online, and explains what Zenimax would have to do to change this to optimism.

The Pensive Harpy begs for an end of cinematic  CGI trailers for MMOs.

Sure, they look really cool, and can thrill the imagination. But they have ZERO bearing on the actual game, and they show nothing of significance about the gameplay (you know, the bit that actually matters?). The more slick and impressive one is the more I think "How much money was wasted on making this rather than being invested in something useful for the game?"

Green Armadillo has been playing SWTOR and TSW recently, among other games, and weighs in on how he thinks the monetisation schemes are working out. I personally do struggle to write about monetisation at the moment, and it is partly because I know that SWTOR and GW2 are making a lot of money from selling random lootboxes, but I cannot understand the motivation of players to spend upwards of $100 per month on random loot boxes! I just don’t get it. How is that fun? But there are a large number of players who do this, enough to keep games viable.

I have new theories about both games… neither of which would be good news for me as a customer of both products.  I get the impression that SWTOR is heavily dependent on its cosmetic item gambling packs and that TSW appears to be running a fire sale to keep the lights on for a few more months before going under.

He has had a blistering good blogging month, and another blog I want to pick out is his takedown of Marvel Heroes and the decision not to pre purchase.

smakendahed is struggling with GW2, he plays characters up to the mid 20s-30s but can’t seem to stick at it any longer than that. Here is his discussion of his experiences and  a plea for others to explain what motivates them in the game. (For me, it was the people I was playing with.)

I have no motivation to advance to the cap or continue playing once I’ve gotten far enough to see how a class plays and gain most of the abilities that interest me.

j3w3l is also musing on the state of GW2.

For a game claiming to be the evolution of the genre I’m not actual very sure as to the way it did. They abandoned ideals that were working well, and created solutions to problems no one was having.

Psychochild writes about the grind in MMOs, and particularly with reference to GW2. He ponders how things can turn from new/fun into dull grind from a player perspective and thinks about what Arenanet could to do perk things up.

I keep wanting to write about The Walking Dead, and keep telling myself I should wait until I’ve finished the game first. (Short version: it’s amazing.)  Currently I am about to start Chapter 3, and I find I need a break between chapters as it’s quite traumatic. Syp describes his experiences with the game and in particular how the choices  made in game have affected him.

Nick Dinicola explains why he thinks driving games and open worlds shouldn’t mix, in the process discussing what he thinks the core themes of an open world game really are.

A good open world will get you to stop at least once to admire the environment. There’s always one spot from which we can see the whole world, and it is in this moment that it hits us that this is all open to us, that we can go anywhere. An open world should give us a sense of majesty and wonder while providing lots of gameplay options.

Vixsin is impressed by how many goals she still has in MoP after reaching the end of Tier 14 progression. (She wrote this last month so may have run out of goals since then Winking smile ). She’s not completely uncritical, but pretty positive about the experience so far.

Stormy at Scribblings on the Asylum Wall is angry at feeling pressured by Blizzard into doing PvP. There are two battlegrounds that you need to win as part of the legendary questline, plus various encouragements to PvP as part of the Domination Point questlines. I can sympathise with this, I don’t hate PvP as much as s/he does but that’s purely because I could get my battleground wins and then never go back again.

The Godmother ponders how people are going to gear new characters and alts in the next WoW patch.

Once LFR as it currently stands is relegated to ‘old content’ I’d expect no-one with a desire to competitively gear to want to set foot in one again, especially if you’ll need rep from the new instance to keep up with the Joneses. This means MSV, ToES and HoF will become ‘The Alt 25 Mans’, full of people wanting to gear their secondary characters: I’d suspect an increase in wipes and a decrease in decent group quality as a result.

Ted A. suggests a few possible improvements to LFR loot mechanics in WoW.

Keen argues that PvP isn’t necessary in MMOs. Which is interesting as it still seems fairly core on the feature list of most upcoming games.

I think a game designed solely around capturing people in the moment by creating a really rich PvE world is a something I can really enjoy.  What does that mean?  I guess I envision myself packing a bag full of resources, and setting off in a direction with friends to see what we can find.  I like the idea of not knowing what’s out there, or not knowing when I’ll be back to town because the game — the world — is letting me go off and truly make the “player vs. environment” a reality. ((…)) Maybe that’s why I wish PvP was seen as less of a requirement.  PvE has the ability to create a much better experience for me, and I wish those types of experiences would be developed further even with the risk.

Pete at Dragonchasers, a self described ‘casual shooter fan,’ finds that F2P games can keep him happily amused. But he wonders what kind of an impact they will have in the long term, and how devs will lure casual players to pay for what they can currently get for free.

I wonder if there are enough serious shooter fans to support many big budget $60 games. It is my understanding (and I may be wrong) that game publishers need casual gamers to purchase their titles in order to thrive.

So in the future, how will these publishers lure in casuals like me? What are they going to offer me that I can’t get for free?

Jester is a really good EVE blogger, and to my mind he is at his strongest when writing about the big picture (and not so much about minor political disagreements between various EVE personas). This is a really good post where he ponders the three main goals for CCP this year. These are for Dust to launch successfully, attract new players to EVE, and keep the old EVE players happy. (A cynical reader might assume that the last two would be running goals anyway). Obviously CCP could have timed Dust better since it looks as though the PS4 is about to be announced …

The Angry Dwarf wonders what would be so awful if every game had a super easy mode.

Syncaine looks back on WAR (Warhammer Online) and remembers the good things about the game. I was and still am fond of the game, although I haven’t played it for ages. Plenty of commenters also chime in.

…if you look at what WAR brought to the genre, and compare it to SW:TOR or the ‘genre fixing’ GW2, WAR win’s in a landslide in terms of contribution. Public quests, evolving cities, how they did instanced PvP, the Tome of Knowledge, map functionality, etc. Yes, at the end of the day the game did not work enough to succeed, but many of its parts were brilliant and the blueprint going forward.

Syp lists 40 things he is looking forwards to with Wildstar. The astonishing thing to me is how negative most of the comments are. I get not agreeing with blog posts, but wow that’s some anti hype right there. Maybe it’s just the list posts people don’t like.

[TSW, SWTOR, WoW, CK2] Well, it’s certainly been a week.

I thought today I might sum up some experiences I’ve had in games recently. This is mostly a quick fly though, just to demonstrate how incredibly /different/ some games which are nominally similar can be.

The Secret World

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The Secret World had a free weekend, and sadly I didn’t have as much time in game as I had hoped. Partly due to watching the Olympics (on TV) and spending a day out in London (not to go to the Olympics because I didn’t have tickets), and also partly due to getting roped into some raids in SWTOR. So these really will be first impressions.

I like the game a lot, and as other people have said, the setting and storytelling is very engaging. For me there was a disconnect between “secret masters of the world. conspiracy theories.” and “welcome to Kingsmouth, here’s your shotgun. Go kill some zombies.” There is even more of a disconnect between the clever and immersive world building and a public channel full of “LF2M tank and healer”.  I’m also not sure whether I find that the combat fits neatly to the storytelling parts of the game – it’s common for RPGs to have this disconnect but the stylistic difference seems stronger in TSW. It just is a very disconnected game. All the individual bits seem good in themselves, but I liked the RPG/investigative parts so much more than the combat. Partly for that reason, this is absolutely a game that sings “single player or small group only” to me. Even more so than SWTOR.

But for all that, it IS immersive and engaging and I enjoyed how Funcom use the environment to drop clues to the player, as well as the usual “quest person marker” details.  I also always wanted to be an Illuminati, so there is that too. I also get a kick out of ‘take a shortcut through Agartha” and similar funky occult daftness; I love urban fantasy which this game does in spades. I didn’t have much of a chance to really check out any of the riddle quests so I’m still unsure whether I have the patience for that type of play or would get frustrated too quickly.

The screenshot above shows two of the other things I did really enjoy with the game.

  1. Blue hair. Apparently this is more of A Thing than I realised, since a lot of my twitter crowd mentioned that their characters also had blue hair. I do think it’s cool though. I also like how my character is holding the shotgun in the shot, her hands/fingers are actually closed around the weapon. Also was amused at being told I had good aim when I shot something. I am not a firearms person (to say the least) but I feel that using a shotgun at point blank range may not be a big aiming challenge.
  2. This shows a tutorial for the talent system. It’s a voiced video that steps you through how things work. Please could more games do this, it’s great.

Whilst I did get a good first impression from the weekend and would definitely like to spend more time with TSW, I can’t justify a sub at the moment. I just don’t have the time free in my gaming schedule. Maybe in a few months time. But I do want to go back.

SWTOR: All my raiding comes at once!

I think there’s a hidden switch in the communal mind of a new raidgroup that suddenly decides you are good enough (or needed badly enough) to be included in the main team. So I’m guessing all my practice with the Consular and generally being around and genial in guild chat has made a mark; this week I was invited to join the guild for runs in two Operations that I haven’t seen before: Explosive Conflict (Denova) and Karagga’s Palace. The raid leader was also really nice about explaining the fights, and the raids were friendly and patient. And we did clear them both. It was just a great gaming experience.

denova

These screenshots are from Denova, which is a very solid raid in my opinion. The encounters are interesting and well designed, there’s a nice mix of content, and they’re challenging without feeling that you are hitting your head against a wall. Bioware have done a good job with the raid content. Karagga is by far my least favourite of the Operations. The first and last boss are both thoroughly annoying (last boss might have been more fun if I had been on dps rather than healing).

My feelings about SWTOR seem conflicted at the moment. I do genuinely enjoy the game, but I’m not sure about its future. Whatever happens, I’m thrilled to have gotten the chance to play it, and to have met such nice players on both the guilds I’ve been in. This may affect how I view the SWTOR community in general, but even my PUG runs have generally been cordial and friendly. Dropping WoW last December to play SWTOR instead has been a really good decision for me.

In any case, this means that I have now seen all of the PvE content in the game, although there are harder modes for the Ops which we haven’t done yet. I’m not really sure what my next goals are, I enjoy raiding with the guys so will plan to keep doing that though.

Warcraft: Back for more abuse

I picked up a Scroll of Resurrection this week, and thought it would be a good opportunity to drop back into WoW and see whether absence makes the heart grow fonder. (The answer is: no, but it does give a different perspective.) My first impression on logging into Orgrimmar was of overwhelming chaos, noise, people all over the place, randomness on general chat. There’s so much going on and where is everything and heck, there’s so much of it. Like I say: overwhelming.

From what I can gather, the only new content since I last played (in December) is that the Darkmoon Faire has its own zone now. It looks cool and a bit foreboding and the music is good. The new Faire is (as with the rest of WoW), busy, noisy, overwhelming. There are quests which grant tradeskill improvements as well as rewards, and some minigames. None of the minigames looked especially interesting at first glance. There’s only so much designers can do with ‘whack a mole’ or ‘steer the vehicle into the other vehicle.’ This is a shame, because I would have thought a fairground would be ripe for actual vehicle minigames.

It was of course great to chat to my guildies again in game. They are a really good bunch, and have been the one thing I really did miss from not being in game. I did think it was a bad idea to agree when someone suggested queueing for one of the most recent heroic instances. This proved to be the case, and the complaints about poor dps started very soon into the instance. I do think there’s an issue with the game where everyone is studying your dps the whole time in groups using real time damage meter addons, even when they don’t need to. Anyhow, I didn’t stay long, I suspect my dps would have been OK but that’s not an atmosphere you want to learn new fights in.

This, incidentally is where WoW is utterly failing at the moment. If a reasonable, average player cannot learn a new fight in LFG and guild groups are unlikely to form (due to people either preferring the convenience of LFG or being tired of the group content) then your group game is basically dead. I’ve heard arguments that this will be better at the start of a new expansion when the content is new to everyone. I don’t entirely buy it; this may be true … for a week or two.  If Blizzard want to break this chain then they need to a) make the LFG instances easier, no complex boss fights that require a page of tutorial to explain the tactics or tightly tuned dps races and b) give players a chance to practice the fights on their own first. (I’m not arguing against hard instances, but I don’t think they are good LFG content.)

Before being put off grouping altogether, I then thought I’d queue for one of the original Cataclysm heroics. These are instances I’ve run several times in my character’s current gear before taking a break. There were no dps issues, but after one wipe the tank aggroed a pack of mobs while everyone else was running back (which led to another wipe). Here is a snapshot of the conversation that followed:

Me: Could you wait for everyone to get back before starting the next fight?

Him/ Her: No.

Me: Why not?

Him/Her: *pause* Because I like doing things wrong.

Me: OK, have fun then. *leaves group*

Maybe it’s because I’ve just spent time in SWTOR where I haven’t had a single bad group, but two poor PUGs in a row isn’t cool and shouldn’t be the norm. Anyhow, I will be hanging out in WoW for the next month or so. Partly because I feel I’d like the guy who sent me the SoR to get his (ugly) mount, and also because it’s good blogging fodder to come back with fresh eyes and gauge how WoW might feel to other returning players. Right now, I feel that I could happily never run another PUG in WoW ever again.

One thing to note for returners: Your spare justice or valor tokens are still useful, Blizzard regularly upgrade the gear you can trade them in for.

I feel I haven’t said much about good first impressions yet. WoW has an INCREDIBLE sense of being an actual world.  It’s buzzing, chaotic, there’s a lot going on and huge zones to explore.  So I went back to a quieter zone to do some daily quests that everyone else is probably bored with (or even forgot by now) to chill out and chat.

wowreturn

Crusader Kings 2

This is such a big bonkers game, but it’s the best gaming crack since the original Civilisation. How can I be so drawn to a game which I am so bad at playing? My latest ruler did actually manage to win some wars, but I think I could happily watch the game play itself out without me really doing much. Still, I continue to read up about it and try different things in new games. I wanted to mention CK2 in passing as I’m still only scratching the surface but it takes a special sort of game to engender this kind of love from poor players.

Whatever happened to Lara Croft?

several_laras

So here are a few images of Lara Croft from games, film, and (at the bottom) the trailer for the upcoming Tomb Raider reboot game. I’m not sure why she switched from dual pistols to a bow either, must be the Katniss effect. And actually, in discussing the reboot, I keep feeling The Hunger Games as an influence. I’ll come back to this later.

However, the elephant in the room with Tomb Raider has now become comments made by the executive producer, Ron Rosenberg, with respect to Lara’s new backstory involving being kidnapped by island pirates and an attempted rape (she beats the guy up, kills him and escapes, incidentally).

“When people play Lara, they don’t really project themselves into the character,” Rosenberg told me at E3 last week when I asked if it was difficult to develop for a female protagonist.

“They’re more like ‘I want to protect her.’ There’s this sort of dynamic of ‘I’m going to this adventure with her and trying to protect her.'”

So is she still the hero? I asked Rosenberg if we should expect to look at Lara a little bit differently than we have in the past.

“She’s definitely the hero but— you’re kind of like her helper,” he said. “When you see her have to face these challenges, you start to root for her in a way that you might not root for a male character.

Who is this /you/ he is addressing? It looks as though it should be anyone who might play the game, except there’s some assumptions there about how people identify with main characters which look as though he’s assuming the player is male. That’s one of the reasons he got people’s backs up. Lake Desire has a nicely nuanced writeup on the Borderhouse explaining why she appreciates what the devs are trying to do and feels that the trailer does make her want to play the game, while acknowledging that there are some issues around assuming that female characters need to be seen as vulnerable so that players will think they are ‘feminine’ enough.

I am torn, because while I agree it’s problematic if every strong female character has to have a traumatised background and the male characters don’t, I’ve also enjoyed stories like Kill Bill and the city elf backstory from DAO which do feature badass protagonists who are rape survivors. There’s a place for that kind of story and if it’s done well it can be empowering for players. I’ve liked Blaxploitation films too, and I loved Pam Grier in Jackie Brown (maybe I’m just a Tarantino fan).

It is, however, something of a genre in itself and usually features strong revenge plotlines which aren’t really the pulp adventure of which Lara Croft stories are made.

The other blogger I was reading on this subject wrote about Lara Croft 3 years ago. Ms Pixel decided back in 2009 that Lara needed a reboot and discusses what SHE thinks needs to happen.

Lara was born during a time when sex in games and digital nudity were avant garde. Now it’s common place. Shed more light on Lara’s personality traits. She needs to become a full blown character that makes me laugh, cry, cringe, marvel and scream at the same time.  Full and impossibly flawed characters like Uncharted’s Nathan Drake and Metal Gear Solid’s Solid Snake have intense fan followings. Men don’t want to admit it but they’ve got a Bromance with Nathan and Snake that rivals the love affair they have with Lara. Women also love yearn for lovable characters. Gender doesn’t play that big of a role.

Get that, devs? Women also want /loveable/ female characters (or at least one woman does, and I don’t think it’s a half bad idea either.) Having said that, I think the devs here were gunning to highlight Lara’s personality traits. I just don’t know from that trailer whether loveable is really the personality trait that will shine here.

And aside from that, do we really want to see our characters beaten up, sobbing, and bleeding  (yeah scratch the bleeding, everyone does that)? Would it be possible to present the same story without making the vulnerability quite so front and centre, and focussing more on the aftermath and recovery?

Katniss is not Indiana Jones

My issue with the reboot is that I think the devs are mixing genres, perhaps unwisely. It isn’t impossible for a pulp action hero to get the grimdark makeover, it happened very successfully with Batman in the 1980s when The Dark Knight Returns was published. But some heroes, some stories, work better when they are left to their own strengths.

Lara was originally presented as a sexy female Indiana Jones, hence the tomb raiding. Along with that character type come the wisecracks, the keeping a cool head in a crisis, exotic locations,  falling into and escaping death traps, massive charisma, risk taking, and generally trying to be Harrison Ford. Katniss Everdeen (that’s Hunger Games if anyone hasn’t seen it yet) is more about survival and trying to be true to yourself and your friends in a world that is against you. It’s not quite the same. Katniss will never be a pulp action heroine (in fact, I’m still not recovered from having read book 3 in the series which is ultra grim).

However, much like Lake, I’m now quite curious to hear more about this game. Maybe I’ll pick it up cheap in a Steam sale in a few months time, if only to see how well they managed the storytelling. Shall we call that a win for the PR team?