Let it be time for checking out all the links I didn’t find time to write up by the end of last year! If this looks like a random jumble of links, it’s because it is a random jumble of links. But they are all great!
Chris at Game by Night writes a thoughtful roundup of his experiences with Guild Wars 2. He wonders about how well the whole horizontal progression thing is working out.
I would, any day, rather return to Queensdale in GW2 than Silverwood in RIFT or the Barrens in WoW. No question about it, Guild Wars 2 holds up better. But going back to a zone whose main purpose was leveling when you’re all leveled up really begs the question of what’s the point.
Zubon ponders designs that you may hate but that other people love.
People seem more in favor of difficulty that they do not find difficult. Games should demand above average skills where you have above average skills but not let people get advantages for having above average skills where you do not.
Matthew Rossi at WoW Insider has been writing up a storm in the past month or so. Always one of my favourite columnists on the site, I feel as though every time I read him lately, I think “That’s so true!” Here’s a couple I particularly liked:
- Are rogues a dying class in WoW? Looking at the class statistics in WoW at the moment. I think that people who want to play melee have so many good options in WoW (and all of the others are hybrids who have access to more than one role) that you’d have to really love your rogue to stick with it these days. Stealth is still cool, no doubt, but you can’t use stealth in group PvE.
- Hellscream is my Warchief – discussing how the race you choose in WoW affects your view of the lore. I find that this really rings true for me. And in this post, Matthew talks about how playing an Orc Warrior changed his view of the Horde.
In many ways, I see the Horde through new eyes. While Matthew Rossi, the human being writing this article likes them even less now in a lot of ways — seeing the Horde constantly taking aggressive action then complain and whine when they get hit back always annoys me, for instance — I’m enjoying playing Horde a lot more now, because I can finally understand how someone could follow Hellscream willingly. If anything, Garrosh Hellscream isn’t perverting the Horde or the orcish character at all. He’s the ultimate fulfillment of it.
Ben at Scribblings on the Asylum Wall had a similar experience when comparing playing through Pandaria as a paladin to his new alt, a forsaken hunter.
Stubborn wonders, along similar (ish) lines about how the roles players choose affect how they see their favourite games. Is it inevitable that playing a healer will make people burn out faster?
Another hit (for me) from WoW Insider is the Drama Mammas list of “20 signs its time to leave your guild.” We’ve all been there, although to be honest it’s been years since I’ve been unhappy in a guild. I think I just get better at knowing what I like. Or at knowing a few people before I go into a new MMO.
bigbearbutt wonders how people manage players in their guild/raid who just don’t seem to get it. He comes from a position where sometimes he thinks he is That Player, and other times he’s trying to explain things to That Player. I suspect that answering this question goes a long way to determine how casual and/ or progression focussed a guild really is. Where most people try to find a happy medium, and the people who find that it really bugs them end up in more progression focussed guilds.
Siha writes about cross realm zones in WoW and about the issue of low population servers. WoW does have about a zillion servers (109 EU servers alone, if I count correctly), something that I only ever realise when I look at the full server selection screen (rare) or the server forums on the official bboard (even rarer). So it wouldn’t be surprising at all if some of them have very low server pops.
Server closures and server merges are the number one sign, in most peoples’ minds, that a game is struggling, and Blizzard can’t afford to be seen as struggling, given its position at the top of the pile. Most games are forced into server closures and merges anyway, by the necessity of providing a playable environment for their customers, but Blizzard have had the resources to develop technologies that prop up ailing servers without merging them.
Terra Silverspar talks about payment models in MMOs and makes a good case for the (current) TSW payment model, pondering DLC in particular and how games have to find a balance between making the DLC appealing to buy, and not alienating current players who don’t buy it.
I feel that I personally have lost any solid perspective on which payment models work best, since finding out how many people seem happy to throw money at devs for random gift boxes in cash shops that may or may not contain desirable tchotchkes. WHY DO PEOPLE DO THIS? My mind, it boggles.
Unsubject doesn’t think that B2P will be the answer for The Secret World.
Ian at Visiting the Village argues that games should not be designed around a payment model, and he’s particularly eyeing up F2P games.
… at every point in an f2p game you’d like to say to the player: you are having some fun now. If you pay us some money, you can have more fun. How is that a good thing to design around? When I’m designing my old-fashioned pay-once game, I’m saying: I’d like you to have the most fun, all of the time.
Greg Richardson writes at Venturebeat about how treating your free players well is the key to running a successful F2P game. This is contrary to the prevailing ‘it’s all about the whales’ strategy where you court the big spenders.
Your game’s free players are actually more valuable than its biggest spenders. It is free players who hold the key to creating sticky communities, driving virality through word of mouth, and maximizing the opportunity for long-term engagement and monetization of your game service. If you want to avoid the headwinds that companies such as Zynga have run into in recent months and instead ride the tail winds that are driving Riot Games into a multi-billion dollar enterprise, you must learn to love your free players.
Green Armadillo writes a couple of thoughtful posts about payment models from the player point of view.
- Should you want to pay? What sort of messages does F2P send to players? That they should be trying to spend as little as possible? And what does it mean if you want to support the game and would theoretically be happy to pay more, but you don’t want to buy overpriced tat from a cash shop?
- 2012 MMO expenditures. This is where he checks in on what he actually spent on MMOs this year. It’s the subscription games which got the lion’s share of the cash.
Psychochild writes a really good piece on designing in-game economies. He also has some analysis and ideas on how to fix the GW2 economy, particularly focussed on whether it would be better to separate server economies than have a single trading post for the whole game.
So, what should be our design goals? Some people might be tempted to say that the goal of the economic design should be to simulate the real-world economy. This is the wrong goal. The goal of a game economy is to be fun.
If you have been following the gaming news, you will know that SWTOR announced a new expansion to be released next year, which is based around one new planet’s worth of PvE and a 5 level cap increase. It will cost $19.99 to F2P players and $9.99 to subscribers.
lonomonkey has a rant about subscribers being charged for new content.
While it’s called a “Digital Expansion” to try to bring it in line with the expansions of other games let’s not be dumb here. It’s one planet, one raid, one pvp zone and probably some space stuff. Unless Makeb turns out to be a gigantic multizone place, it shouldn’t be considered an expansion. It’s a DLC addon, simple as that.
Shintar discusses the quest to acquire HK-51 as a companion. To be more specific, the first part of the questline, which sounds pretty fun.
Gordon at We Fly Spitfires wonders what’s so bad about MMO combat anyway.
Rohan wonders why there are so few Indian developers (or characters, or settings) in gaming, given that there are often lots of students from the subcontinent in computer science/IT courses. (Obv this does not apply to games designed in India.) Mythical/Fantasy India would be a phenomenal setting, I’ll play it when someone gets round to designing it. (Preferably without the rapes – yes, I went there.)
Bree writes a loving eulogy to Glitch, the browser based MMO which closed in December, and discusses why it was special to her.
…for a few weeks last spring, I became infatuated with snapping screenshots of ruined buildings in the game. Why were there ruined buildings in a video game? I have no idea. Because the art designer said so. The pure uselessness of these pieces of hidden art just spoke to me. Someone paid someone to draw a secret, lost world inside a Flash-based video game and code it for me to walk past and ponder.